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First Nations Design Masterpieces
Uashat mak Mani-Utenam Community Heritage
Contemporary First Peoples Designers
First Nations Design Masterpieces
Name of the artifact (typology)
Nation of origin and name of the culture
ALGONQUIAN, Abenaki
ALGONQUIAN, Algonquine
ALGONQUIAN, Assiniboine
ALGONQUIAN, Blackfoot
ALGONQUIAN, Cree
ALGONQUIAN, Micmac
ALGONQUIAN, Montagnais
ALGONQUIAN, Naskapi
ALGONQUIAN, Ojibway
IROQUOIS, Huron
IROQUOIS, Mohawk
INUIT, Alaskan
INUIT, Aleut
INUIT, Arctic
INUIT, Central
INUIT, Copper
INUIT, Iglulik
INUIT, Labrador
INUIT, Netsilik
INUIT, Siberian
ATHAPASCANE, Athapaskan
ATHAPASCANE, Kuntchin (Loucheux)
SIOUX, Crow
SIOUX, Sioux
Type of traditional culture
Nomadic
Semi-Nomadic
Settled
Semi-Settled
Global ecosystem and American sub-regions
Desert and semi-desert
Boreal forest
Temperate forest
Xerophilous forest
Taiga
Tundra
Arctic
Great plains
Northeastern region
Southwestern region
Subarctic
Materials in order of importance
Technique used to collect raw materials
Breaking
Carving
Cutting
Debarking
Digging
Extracting
Gutting
Harvesting
Killing
Picking
Pulling out
Recycling
Shearing
Skinning
Striking
Trading
Other
Techniques used to fabricate the artifact's components
Assembling
Braiding
Cutting
Forging
Forming
Modeling
Molding
Polishing
Sculpting
Weaving
Other
Object family
Object of everyday use
Trade tool
Structure (Real-Estate)
General function
Contain and transport
To draw material
To feed oneself
To clothe oneself
Period to which the artifact belongs
PREHISTORIC, Paleo-Indian
PREHISTORIC, Archaic
PREHISTORIC, Silvicultural
PREHISTORIC, Prehistoric
HISTORIC, Inuit
HISTORIC, Euro-Quebecer
HISTORIC, Contemporary
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